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| Workshop of Research Artistic Production
and Contexts of Creation |
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Natalia Lipovetzky
Participant
Magnets showing sights of San Miguel de Tucumán
City.
What you will not see in Europe
When I returned to my hometown after my first trip to Europe, I felt
an intense need to gaze at my place, to walk through it, to smell
it. San Miguel de Tucumán. From abroad, I had been able to
confirm that not all places are the same, that each one of them has
particular characteristics that make it unique. What I had so much
yearned for was the uniqueness of my city, and that was the only thing
I was able to see while I did not have it during my stay in Europe.
On my return I discovered new small daily events that are typical
of Tucumán, and I started taking photographs of them in a small
postcard format (13 cm by 19 cm).
At the same time as I was collecting urban images in a third-world
Latin-American city, Argentina went through the self-imposed exile
of young people who staked their economic hopes for the future in
Europe. After a year had passed, many of the people I used to know
had left. Eleven very close friends decided to emigrate, and have
not returned to this day.
What you will not see in Europe arises from this experience. I choose
a photograph I think will suit the purpose, I glue a flexible magnet
to its back and I send it to somebody from Tucumán who has
settled down in Europe, together with a handwritten letter in which
I explain my project. I think that to receive a letter from an unknown
correspondent opens new doors for circulation of my work beyond a
mere exchange among friends. Naturally, I am also thinking about a
circuit in the field of art: These photographs, with their attached
magnets, also imply a journey, just like that of the exiles, but I
cannot control it. I don't know what might happen.
Nevertheless, it is not my intention to grow melancholic, or to show
the poverty and precariousness in which we live. My purpose is to
bring back the memory of those things that could never be seen or
found in Europe. I try to recover, even with a sense of humour, the
daily events that make up our culture and that no other inhabitant
of this planet could genuinely call his own.
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Facsimile of an e-mail sent to Natalia Lipovetzky by Máximo,
a Tucumanian living in Berlin, Germany, thanking her for the letter
and magnets he had received from her. |
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Natalia Lipovetzky
Artist, born in 1975 in Buenos Aires, Argentina. Currently lives and
works in Tucumán.
In 1999 she got a Plastic Arts Licenciate Degree with a specialization
in painting at Tucumán National University.
1998- Selected for "Encuentros de producción y análisis
de obras para jóvenes artistas del NOA" run by Jorge
Gumier Maier and Claudia Fontes and organized by Fundación
Antorchas and T.N.U.
2002: "Eclipse", an installation with artist Ferrari in
Córdoba. She also participated in "Kermés del
Arte", an artistic event coordinated by Rolo Juárez at
Plaza Urquiza, Tucumán.
Since 2001 she has been a member of Tucumán artists' group
"El Ingenio", with whom she has taken part in collective
exhibitions such as "Colectivos y Asociados" at Casa América,
Madrid, Spain, and in an exhibition held at the Arias Rengel Museum
of Fine Arts, in Salta, that same year.
Among her individual exhibitions, the following are worth noting:
"Llovido del cielo", 2002; "13,879", an installation
presented at Casa Club, Tucumán, in 2000; "J'ai des fourmis
dans les jambes", an individual drawing and painting exhibition
at Casa Club, Tucumán, 1999, and "Aquarela 1994",
her first individual exhibition at Salón Austral, Tucumán.
She takes part in various salons in Tucumán.
E-mail : apenastresmil@hotmail.com
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