Workshop of Research Artistic Production and Contexts of Creation

 

Michael Coombs

Participant

Intervention in a public space where “cardboard boxes” made of compact plaster were distributed across from Banks in San Miguel de Tucumán.

Objetos de peso

The work took the form of an intervention playing with the word peso, which in Argentina has both the meanings of weight/money.
The intervention consisted of placing 50 boxesm which were cast in plaster, outside the international banks in the city of Tucumán.
The plaster boxes were painted to look like cardboard so that they looked realistic to the eye, but once you had any contact with them you realised they were something completely different for they weighed about 20 kgs each. In total I used 1 ton of plaster to make 50 boxes.
In Argentina people collect cardboard, which is left on the streets as rubbish, as a source of income, and sell it to factories that recycle paper. It is incredibly hard work and it is bought by weight at a very low price. The cartoneros make barely enough money to eat. At the time I was in Argentina there was a huge economic crisis and, in order to survive, more and more people were turning to collecting cardboard as their source of income.
I felt I wanted to use these carboard boxes as powerful symbols, but to represent them diferently from the way in which they are usually perceived. Also I was interested in the fact that money is made from the same basic material as cardboard boxes, and how abstract the concept of money has become in modern society, but even more so in Argentina because of the devaluation of currency.
This is why I used this imagery and placed boxes outside the international banks. Many of Argentina's problems have come from foreign debts and I felt the objects were making a powerful statement.
I believe the work was very successful as the reaction from the public that came into contact with the boxes was extremely positive and the objects became the focus of unusual social interaction. People from all walks of society, from the cartoneros to bank managers and those interested in art, engaged in lively discussions with each other on the street.
This was very interesting for me because usually cardboard boxes which are placed on the street are associated with the social stigma
of working with this material. Yet now people from other social backgrounds were discussing these objects and even taking them away. I hope that in creating this small surreal intervention some people's perceptions of cardboard and the cartoneros has changed.

Michael Coombs

Born in Carshalton, Great Britain, in 1972.
Education
Slade School of Fine Arts, London, Great Britain, 1994-1996 P.;
College of Art, University of Wales, Cardiff, Great Britain, 1991-1994
Epsom College of Art Design, Great Britain, 1989-1991
Internships, scholarships
2001 Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and Science, The Netherlands
2000 Stichting Trustfonds Rijksakademie, Amsterdam, The Netherlands
1998 Leverhulme Trust, Great Britain, "Study Abroad Studentship"
Prizes
1998 Leverhulme Trust, Great Britain, "Study Abroad Studentship"
1993 School of Fine Arts, Cardiff University, Great Britain, "Student of the Year"
Individual exhibitions
1999 Motolina Independencia, Mexico
1997 Shoreditch Town Hall, London, Great Britain
1997 Rafi Marg, All India Fine Arts and Crafts Society, New Delhi, India

Internships/Scholarships

2002 Rijksakademie van beeldende kunsten, Amsterdam, NL
2001/2000 Fonds BKVB, Amsterdam, NL
Individual exhibitions
2002 Rijksakademie van beeldende kunsten, Amsterdam, NL
2001 Het Torentje, Almelo, NL, "On speaking terms"
2000 Ripperdapark 12, Haarlem, NL, "Exploding views"
1999 Galerie Oele, Amsterdam, NL, "Nieuwe werken"
Collective exhibitions
2002 De Vishal, Haarlem, NL, "Ondieptes"
2002 Steigereiland Noord, Ijburg, Amsterdam, NL, "Land"
2001 Arti et Amicitiae, Amsterdam, NL, "Zo O Skoop"
2001 Room, Den Haag, NL, "Exploring room"
2000 Theater Zeebelt, Den Haag, NL, "Antihelden"
1999 Niggendijker, Groningen, NL, "Dat kan ik ook"

Others

2002 Skoki, PL, "Artist as Ideologist/ Artist as Observer/ Artist as Creator/ Artist as Shaman/ Artist as Social Worker/ Artist as Egocentric/ Artist as Alchemist/ Artist as Anarchist/ Artist as Businessman/ Artist as Manager/ Artist as Critic/ Artist as Clown", initiated by Jaroslaw Kozlowski in collaboration with Hermann Pitz